Assignment on Orientalism
Name : Chauhan Hetal M
Course: M.A English
Paper No. :11
Paper Name : Postcolonial
Studies
Semester:03
Roll No.:14
Email Id: hetalchauhan137@gmail.com
Submitted To: Dr. Dilip
Barad,Smt.S.B.Gardi,Department Of English, Maharaja Krishnakumarsinhji,
Bhavnagar University.
v Orientalism:-
Said recognizes a
progression of presumptions that are made by the West about the Orient. Said
himself is Palestinian, and he recognizes a progression of suspicions that the
West makes about Arabs: they are unreasonable, hostile to western, threatening
and deceptive. He investigates how these presumptions are built contrary to
what the West thinks about themselves, and subsequently characterizes this
anticipated picture of "Middle Easterners" in the psyche of
Westerners as the other we characterize the other by what we are most certainly
not. The peril is that these presumptions come to be dealt with as truth and
along these lines affect our relations and our belief systems.
· What is Occident?
The occident deals with the West countries (West means
the countries of Europe, America, and France). Occident derives from the latin
word Occidens. Occident means the hemisphere that includes North America and
South America = New world or Western hemisphere.
· What is Orient?
The orient almost a European invention had been since
antiquity a place of romance, exotic beings, haunting memories and landscapes,
remarkable experience. The term ‘Orient’ is derives from the Latin word
‘oriens’ is meaning ‘East’. Orient is depends on the logic of discourse.
Orients are incapable of change they are static. Orients are incapable of
change they are static.
The relationship between Orient and Occident and is a relationship of power
and domination.
What is Orientalism?
o
The country of the east especially East Asia.
o
Study of orient means a study of orients.
o
Old civilization with an old knowledge system.
o
Problem between White and Muslim people.
o
A story of Middle-East.
o
Strangers by the fortune of colors.
o
Identities are not made naturally.
o
Post Structuralism has changed way of thinking.
o
Subjective and objective process.
o
Orientalism is generally means to a mental exercise and mental archrival.
The “East” as differentiated from the “West”, which
includes the Middle East, Near East, Central Asia, South Asia and the Far East,
is today top of mind with news breaking in a stream of anxiety, fear, economic
and political pressures, social conflict, unrest and war.
In the Introduction part Said divided into three parts,
• Chapter 1: The Scope of Orientalism
• Chapter 2: Orientalist Structures and Restructures
• Chapter 3: Orientalism now
1)The Scope of
Orientalism,
The distinction between pure and political knowledge:
It is anything but difficult to contend that information about Shakespeare
or words worth is not political while learning about contemporary china or the
Soviet Union is. Humanist who expounds on words worth, or an Editor whose
Specialty is Keats, is not included in anything political is that he does
appears to have no direct political impact upon reality in the regular sense.
The deciding impingement on most learning created in the contemporary west is
that it be non political, above factional or little disapproved of doctrinal
conviction. Who produces it, yet this information is not consequently naturally
non-political. Political centrality is an expansive question that I have
attempted to treat in some detail somewhere else. What I am keen on doing now is
recommending how the general liberal accord that "genuine" learning
is on a very basic level non political.( and on the other hand, that plainly
political information is not genuine information.) clouds the profoundly it
unclearly sorted out political conditions getting when information is
delivered. Orientalism is not minor political topic or field that is reflected
inactively by culture, grant, or institutions; nor is it an extensive and
diffuse accumulation of content about the orient: nor is illustrative and
expressive of some loathsome "western" settler plot to hold down the
"orient" world. It is fairly a dispersion of geopolitical and
philological remaking, mental investigation, scene and sociological muddle it
makes as well as maintains; it is, as opposed to express. A creation will or
cases to control, control, even to consolidate, what is a plainly extraordinary
world; it is most importantly, a talk that is in no way, shape or form in
immediate, relating association with political power in the crude, yet rather
is delivered and exists in an uneven trade with different sorts of force,
melded to a degree by the trade with power political (as with pilgrim or
magnificent foundation), control scholarly as with ruling since like similar
Linguistics or life systems, or any of the present day approach since power
social (as with orthodoxies and groups of taste, writings, values) control
moral (as with thoughts regarding what "we" do and what
"they" can't do or comprehend as "we" do). Oreintalism is
and does not just speak to a significant measurement of current political
scholarly culture, and accordingly has less to do with the orient than it does
with "our" reality. "orientalism is a social and a political
truth," then, it doesn't exist in some recorded vacuum; an incredible
opposite, I think it can be demonstrated that what is thought, said or even
done in regards to the orient takes after certain particular and mentally
learning lines.
2)The methodological question:
Examination to the methodological significance for work in the human
sciences of finding and planning an initial step, a state of takeoff a starting
standard Learned and attempted to present was that there is no such thing as a
just given or essentially accessible, striating focuses: beginnings must be
made for every venture in such away as to empower what takes after from them.
The Anglo French American experience of the Arab and Islam, which for very
nearly a thousand years together remained for the Orient. Instantly after doing
that a huge part of the Orient appeared to have been dispensed with India,
Japan, china and different segments of the Far East not on the grounds that
these districts were not vital but rather in light of the fact that one could
talk about Europe's experience of the Near Orient, or of Islam, aside from its
experience of the Far Orient.
3) The personal dimension:
The individual interest in this study gets from my mindfulness kid
experiencing childhood in two British provinces. From multiple points of view
investigation of orientalism has been an endeavour to stock the follows upon
me, the oriental subject, of the way of life whose control has been so intense
a figure the life of all Orientals. In the Prison Notebooks Gramsci says:
"The beginning stage of basic elaboration is the cognizance of what one
truly is, and knows thyself as a result of the verifiable procedure to date…
.." Much of the individual interest in this study gets from my attention
to being an "Oriental "as a youngster experiencing childhood in two
British settlements.
Ø Orientalist Structures
and Restructures
Structure of Orientalism is nothing more than a structure
of lies or of myths. In this section Said outlines how Orientalist
discourse was move from Country to Country and Political leader to author. He
advises that this discourse was set up as a foundation for all further study
and discourse of the Orient by the occident. The construction of identity — for
identity, whether of Orient or Occident, France or Britain, whiles obviously a
repository of distinct collective experiences. Edward Said points the slight
change on the attitude of the Europeans towards the Orientals.
Ø Orientalism now
Orientalism can also express the strength of the West and
the Orient’s weaknesses seen by West. Such strength and such weakness are as
intrinsic to Orientalism as they are to any view that divides the world into
large. General divisions, entities that Coexist in a state of tension produced
by what is believed to be radical difference.
Academic points of view that, The interchange
between the academic and the more or less imaginative meaning of orientalism is
a constant one, and since the late eighteenth century there has been a
considerable, quite disciplined perhaps even regulated traffic between two.
In the first place it would be wrong to conclude that the
orient was essentially an idea or a creation with no corresponding reality. A
second qualification is that ideas, culture, and histories cannot seriously be
understood or studied without their force, or more precisely their
configuration of power, also being studied.
Orientalism and the arts
Imitations of Oriental style
Edward Blore's Alupka Palace (1828–46) was one of the
earliest intimations of the Victorian taste for Moorish Revival architecture.
Orientalism has also come to mean the use or reference of
typical eastern motifs and styles in art, architecture, and design.
Early use of motifs lifted from the Indian subcontinent have sometimes been
called "Hindoo style," one of the earliest examples being the façade
of Guildhall, London (1788–1789). The style gained momentum in the west with
the publication of the various views of India by William Hodges and William
Daniell and Thomas Daniell from about 1795. One of the finest examples of
"Hindoo" architecture is Sezincote House (c. 1805) in
Gloucestershire. Other notable buildings using the Hindoo style of Orientalism
are Casa Loma in Toronto, Sanssouci in Potsdam,
and Wilhelma in Stuttgart.Chinesischer Turm in the Englischer Garten of Munich. Initial structure built 1789–1790.
Chinoiserie is the catch-all term for decorations involving Chinese themes in Western Europe, beginning in the late seventeenth century and peaking in waves, especially Rococo Chinoiserie, ca 1740–1770. From the Renaissance to the eighteenth century Western designers attempted to imitate the technical sophistication of Chinese ceramics with only partial success. Early hints of Chinoiserie appear, in the seventeenth century, in the nations with active East India companies such as England, Denmark, Holland, and France. Tin-glazed pottery made at Delft and other Dutch towns adopted genuine blue-and-white Ming decoration from the early seventeenth century, and early ceramic wares at Meissen and other centers of true porcelain imitated Chinese shapes for dishes, vases, and teawares.
After 1860, Japonaiserise , sparked by the arrival of Japanese woodblock prints, became an important influence in the western arts in particular on many modern French artists such as Claude Monet. The paintings of James McNeil Whistler and his "Peacock Room" are some of the finest works of the genre; other examples include the Gamble House and other buildings by California architects Greene and Greene.
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